THE FOREST (2016)

Its officially January and it is time to dig through the dumping ground of Hollywood.  It is no secret that January and February is the black hole of theater releases, allowing us the chance to watch whatever studio execs have lying around.  When I saw the trailer for The Forest and its January release date I wasn’t overly excited to see it, but one thing grabbed my eye…no Jason Blum.  Don’t get me wrong, I am not hating on the guy but I just can’t trust his name (on a film) anymore.  After seeing this supernatural thriller I can say that The Forest is much better than it has any right to be.  It is a strange blend of great cinematography and terrible CGI that is entertaining up to its lackluster ending.  It is a great example of enjoying the ride, but not necessarily liking the final destination.

The story begins with a young woman having an feeling that her twin sister is in danger.  She wakes up from her dream and immediately leaves for Tokyo to try and help her sister.  She does a little digging and finds out that she has ventured into the “Suicide Forest” at the base of Mt. Fuji.  Through her ESP-like superpower, she can sense that her sister is still alive and fenagles her way into a guided tour to find her twin.  Once she is there she finds out that the forest is a sinister and dangerous place full of spirits.

The best part of the film is the setting and the amazing camerawork.  There is little to no shaky cam and nothing ever seems static or boring.  The actors are passable and the script seems like it may have had a lot of last minute changes.  Some of the red herrings are less than brilliant and there are major clues that are either ignored or abandoned.  The film does best at building up tension and there were more than a few scenes that had me on the edge of my seat.  The biggest problem was how the filmmakers decided to wrap up the story.  I won’t go into any spoilers, but the last 10 minutes do not seem to gel with what we had seen up to this point.  All in all, this adds up to a serviceable (and sometimes exciting) popcorn flick that you will probably forget about a few days later.  The Forest will be available 1/8 in theaters everywhere.

2.5/5 STARS

BLAINE’S TOP 15 OF 2015

Holy Shit!  Another year has come and gone and now its time to see which films rose above the rest.  This year’s list includes all of the blood, guts and nudity that you would expect. But don’t worry, I included a few “classier” flicks for all you college grads out there. 

15.  The Duke of Burgundy (Directed by Peter Strickland)

A cold and confounding movie about a woman obsessed with moths who tests the limits of her relationship with her lover.  An exercise in obsession and repetition, that is worth enduring.

 

 

14. Tantrum (Directed by James Bell)

There are a lot of words that can be used to describe Mr Bell’s most recent film, but there is one that I keep using: indescribable. Not narrowly fitting into any real genre of horror or scene. It blurs the line between avant garde film experiment and performance art in a masterful way.

13. Girlhood (Directed by Céline Sciamma)

On top of covering the usual coming of age drama, there is a naturalness that feels so real and universal. From the boring technical side it is nearly perfect. Camerawork  is impeccable and its pace is perfectly meandering. The film may suffer from an unfortunate title, but hopefully people will see it without the looming Boyhood comparison.

12. Death-Scort Service (Directed by Sean Donohue)

A fun throwback to blood, guts and boobs.  The sleaziest film of 2015 and should not be missed.

 

 

 

 

 

11. Circus Of The Dead (Directed by Billy Pon)

Great sense of direction and great acting by Bill Oberst Jr and company. Also, some of the most enjoyable gore gags in years. When it finally gets a release, it is worth a look.

 

 

10. R100 (Directed by Hitoshi Matsumoto)

Like a blend of Quentin Dupieux and Sion Sono, with a little Bunuel on the side. I can’t decide if anything or everything matters (in this film) but there is something so unique and appealing about this film that really sticks with you.

 

9. Headless (Directed by Arthur Cullipher)

Found was one of my favorite movies of last year and this “lost slasher” is a excellent companion piece.  Great effects, fun acting and some of the nastiest kills in the history of cinema.

 

 

 

8. Der Samurai (Directed by Till Kleinert)

A spectacularly violent and mysterious film that feels both existential and playful throughout its run time. This is the kind of movie that requires multiple viewings to truly grasp.

 

7. Flowers (Directed by Phil Stevens)

This is the kind of film that is missing from underground horror lately. A grotesque, but beautifully shot film that mutely tells the story of 6 women and their murderer.

 

 

 

6. Androgynym (Directed by Nick Iway)

 This is a brave movie that does not gloss over things like addiction, loss and self identity.  In fact, it barrels itself directly at it.  There are scenes of extreme and shocking violence, but I hope they do not overshadow the beautiful experience that is Androgynym

5. The Interior (Directed by Trevor Juras)

There is very little when it comes to plot or story and instead focuses on the existential horror of being a young man who may not live long enough to figure out what he wants in life. That is much scarier to me than monsters or masked killers and there is no place better to experience this than deep inside of nature.

 

 

4. Turbo Kid (Directed by François Simard, Anouk Whissell)

In the year 1997…

This is the movie that captures nostalgia without coming off as pandering.

 

 

3. Spring (Directed by Aaron Moorhead, Justin Benson)

A beautifully shot genre bending project from the guys who brought us Resolution.

 

 

 

 

 

2. Bone Tomahawk (Directed by S. Craig Zahler)

If there was any justice in this world this film would sweep the Oscars. From best screenplay to best supporting actor, this film would win it all. This first time effort is everything that a fan of cinema could ask for.

 

 

 

 

 

1. The Tribe (Directed by Miroslav Slaboshpitsky)

“Don’t tell me, show me!” That is my battle cry when watching movies and this film couldn’t tell you if it wanted to. If you do not already know, this movie is told entirely through Ukrainian sign language with no subtitles or voiceover.  It is an unsettling, unique experience that cannot be compared to anything else.  A great example of how a film can transcend genre and language to stands on its own.

Some honorable mentions: Metalhead, The World Of Kanako, Mad Max: Fury Road and Under The Rainbow

Thanks for checking out my list!  Now let us know some of your picks in the comments below!

Blaine McLaren

Lead Writer for Mondo McLaren

Androgynym (2015)

I would not be lying if I said that I have been less-than impressed with this year’s low/no-budget releases.  For every one review that I put up, there is a slew of boring, uninspired releases that I glaze over and (usually) forget rather quickly.  I am very excited to report that Androgynym is not one of these disappointing films.  In fact, this movie could be one of the best low budget films of 2016.  Writer/Director/Star, Nick Iway, delivers a powerful labor of love that explores some heavy themes that most films would never touch.  Every scene is deliberate and builds to its highly cinematic conclusion that does something movies never do; make me care about these fictional characters and what happens to them.  Most movies would spend more time highlighting the gore and nudity, but Androgynym knows when to pump the breaks and let the story develop.  When the horror and shock occurs, you feel every bit of its drama, elevating what could have just been another exploitation rewind.  Instead we get a thoughtful drama that is both exciting and relatable.

 

The film begins by introducing us to our protagonist’s life as a thug for a gangster named Carlos.  Things go bad quickly and has to flee town and lay low for a while.  When he cannot adjust to his new lifestyle, he looses control and lobs off his penis (in an impressive fit of rage).  After his self-mutilation, our lead develops a fast friendship with an employee at a local pizza shop.   I will stop at this point, because I would hate to spoil what comes next.  I watched this film cold and feel that is the best way to approach Androgynym.  What I can tell you is that this is the point where Nick Iway really finds his feet as a filmmaker and you will not be disappointed.

While there is a lot that I love about this movie, there are a few small gripes that I did have.  The first act can be a little wonky and hard to follow.  As the film progresses, it quickly corrects these issues (especially in the camera work).  This is Mr Iway’s first feature film and I am very confident that we will see more quality work from him.  What makes this film so powerful is not the technical aspects, but the raw emotion behind the film.  This is a brave movie that does not gloss over things like addiction, loss and self identity.  In fact, it barrells itself directly at it.  There are scenes of extreme and shocking violence, but I hope they do not overshadow the beautiful experience that is Androgynym.  This film is currently working on a wide DVD release and you can keep up with its progrss at http://androgynym.com/

4/5 STARS