Dave Parker (AKA Mr Parka) has been dabbling in filmmaking over the last few years. After some great performances in movies (such as Headless and Applecart) he has decided to step into the director’s chair with a new anthology film called Slimy Little Bastards. This film is a love letter to some of my favorite movies; the little monster sub genre. It is a brand of horror that exists in its own world of silly effects and (mostly) crass humor that appeals to the inner fourteen year old in us all. Slimy Little Bastards is a confident, no budget debut that has the charm of a much older film. It is pretty rough around the edges, but makes up for it in fun and a very DIY attitude.
The film opens with its eccentric Curator talking about his “collection” to a man whose car has broken down nearby. He tells three stories to the man, all linking back to these bottles of fluorescent sludge that are on display. The first is “Organic Shit”, a tale of a green blob forming in a man’s garbage disposal. Next is “Brain Busters”, where a young lady is prescribed a mysterious drug to deal with her mental illness. Lastly is “The Crusties” and this is the ultimate send up to Ghoulies. Pitting a group of flatulent role players against a gang of little monsters.
Ultimately this is a collection of shorts, but the oddly fun wrap around ties it all together nicely. If you are familiar with Dustin Mills’ films, you will recognize a lot of faces. The acting is pretty good and it feels like everyone is having a blast making the movie. There are some flaws, but most are minor technical issues. Sound and lighting is a little off, but this is a debut and I am sure that these issues will get better as Mr Parker keeps making films. What works the best is the pacing. The vignettes never overstay their welcome and the whole film clocks in at only 66 minutes. Overall, this is a fun send up to shot-on-video, rental store-era fun that is worth picking up and watching with your friends. Slimy Little Bastards is currently available on DVD at Amazon.com
Every year there is that one indie release that really grabs me. That movie that strikes an emotional chord, that feels both cinematic and intimate. In 2014 it was Found, last year it was Androgynym and this year it is Jason Koch’s Pig Pen. This film is a masterful example of “true to life” horror, telling a grim story of poverty and the toils of boyhood. This departure from traditional horror is refreshing and really shows the signs of a maturing artist who is not interested in being kept to one genre. Pig Pen is a moving, but intensely ugly film that is just as much a thriller as it is a coming-of-age tale.
The story follows a thirteen year old boy who has recently been kicked out of his home by his mother’s maniacal boyfriend. We see him trying to survive the harsh world of inner-city Baltimore. He is forced to shoplift for food and find a way back home to protect his mother. What unfolds is a voyage of vagrancy and revenge that will ultimately end in blood (lots of blood).
Jason Koch really shines as a director in this film. Even when scenes seem meandering they serve a purpose that feels much larger than the movie itself. He took a risk, hiring his son (Lucas Koch) in the lead, but manages to get an incredibly honest performance that you rarely see in young actors. As great as Lucas’ performance is, Nicolette Le Faye is the one who really gets to show her range. Her role is so nuanced and has to portray kindness in a grisly world she cannot handle on her own. I would go into more detail, but I would hate to ruin some of her scenes that appear late in the film. What I can say, is that I am excited to see her take more serious roles and look forward to seeing more in the future. My only complaint was the end of the film. It bookends the story, but felt a little too unambiguous. Upon rewatching, I am happy to say that I now understand why Mr. Koch had to end it this way. This movie is not meant to be an easy viewing and is intended to challenge its audience. With all that said, I can honestly say that Pig Pen is the first great movie of 2016! Pig Pen will be released on DVD soon and is currently on the Film Festival circuit.
I have to admit something that I am not proud of. I hate animation! Maybe its because I have a young son or maybe I just have never given the genre the fair shake it deserves. Most horror/adult animation seems vapid or empty, but after watching the films of Jimmy Screamerclauz I am second guessing my prejudices. When Black Birds Fly is an incredible feat of filmmaking that surpases expectaions and delivers a deep, psychedelic experience through hell and beyond. I saw Where The Dead Go To Die and enjoyed it, but I was happy to see Jimmy trade in (some, not all) the gross out gags for something more mature and thought provoking.
The film begins in a quaint, suburban utopia called Heaven. The residents are seemingly normal and are allowed to live in peace, as long as they follow the rules declared by their mysterious leader (Caine). The most important commandment is to never leave Heaven’s walls and never, ever communicate with “The Evil One”. A child (Marius) and a female friend from class wander too close to the wall and are then lured in by an evil cat. Once they enter the world of “The Evil One” they are exposed to a kaleidoscopic world of unimaginable world of pain and truth. From here, all hell breaks loose.
What is most impressive is Jimmy’s sense of direction. The camerawork is impeccable and lingers just long enough to breath life into his oddly animated world. There is a depth to each scene that you won’t find in most animated films. Although this is a much more mature film than his last, there is still a great deal of humor sprinkled throughout. Subtle things in the background and quick-witted one liners keep things from being too oppressive. My only complaint is that the film does take its time getting started and drags a little in the middle. This gripe is incredibly minor and could just come from my aforementioned prejudice for animated features. In the end, I cannot help but urge film lovers to check out this one-of-a-kind movie. If you crave unique cinematic experiences, then this is the film for you. When Black Birds Fly is currently available on DVD at http://screamerclauz.com/store/
Here we go again, another PG-13 horror flick that is mildly creepy, but lazy and inoffensive. I keep finding myself sitting in the dark each week, hoping to find that occasional gem. Unfortunately The Boy is not that one-in-ten that shines, but is just spooky enough to be fun. Although this film is enjoyable, I am not sure why it received a theatrical release. Given its limited budget and setting, this film would probably play better on the small screen and would be great for a Netflix release. Before I get too deep into my opinion, lets talk about the story.
A young American woman named Greta takes a job for an elderly, British couple and agrees to look after their child. Once she meets the geriatric couple, she realizes that the child is actually a doll that is kept like a real boy. She is given a list of silly rules, told to follow them and then the two wisk away on vacation. Once they leave, she goes back to treating the boy as a doll until things take a more sinister turn for the worse,
As I stated before, this is neither great nor terrible. It falls right into that mediocre spot that most of these theatrical horror releases do. There is just not a lot to say about this movie. The acting and script is okay, the cinematography is pretty standard and the sets are appropriately creepy. The third act does take a 180 degree turn that is fun and goes in a direction that is both entertaining and unexpected. All in all, I do not suggest going to the cinema to see this flick but could be enjoyable if rented out of the Redbox on a boring Thursday night. The Boy is currently playing in theaters everywhere.